| 000 | 02026pam a2200193 a 4500 | ||
|---|---|---|---|
| 999 |
_c7538 _d7538 |
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| 020 | _a0684190400 : | ||
| 022 | _a9780684190402 | ||
| 050 | 0 | 0 |
_aPN2061 _b.H12 |
| 100 | 1 | _aHagen, Uta, | |
| 245 | 1 | 2 |
_aA challenge for the actor / _cUta Hagen. |
| 260 |
_aNew York : _bScribner's ; _aToronto : _bMaxwell Macmillan Canada ; _aNew York : _bMaxwell Macmillan International, _cc1991. |
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| 300 |
_axxii, 309 p. ; _c25 cm. |
||
| 440 | _aMaxwell Macmillan Canada; Maxwell Macmillan International | ||
| 500 | _a"A Robert Stewart book." | ||
| 500 | _aIncludes index. | ||
| 505 | _apt. 1: The actor -- 1. The actor's world -- 2. The actor's goals -- 3. The actor's techniques -- The outer techniques -- The human techniques. pt. 2: The human techniques -- 4. The self -- 5. Transference -- 6. The physical senses -- 7. The psychological senses -- 8. Animation -- The body -- The mind -- Inner objects -- Listening talking -- 9. Expectation. pt. 3: The exercises -- 10. The exercises -- General purpose -- The six steps -- For the presentation -- 11. The first exercise: physical destination -- 12. The second exercise: the fourth side -- Communication -- Primary use of the fourth side -- Subliminal use of the fourth side -- 13. The third exercise: changes of self -- 14. The fourth exercise: moment to moment -- 15. The fifth exercise: re-creating physical sensations -- 16. The sixth exercise: bringing the outdoors on stage -- 17. The seventh exercise: finding occupation while waiting -- 18. The eight exercise: talking to yourself -- 19. The ninth exercise: talking to the audience -- 20. The tenth exercise: historical imagination -- Style --Historical imagination -- 21. Combinations. pt. 4: The role -- 22. The play -- 23. Homework and rehearsal -- 24. Scoring the role -- 1. Who am "I"? -- 2. What are "my" circumstances? -- 3. What are "my" relationships"? -- 4. What do "I" want? -- 5. What's in "my" way? -- 6. What do "I" do to get what "I" want? | ||
| 650 | 0 | _aActing. | |
| 942 | _cBK | ||