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  <titleInfo>
    <nonSort>A </nonSort>
    <title>challenge for the actor</title>
  </titleInfo>
  <name type="personal">
    <namePart>Hagen, Uta</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Toronto</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Scribner's</publisher>
    <publisher>Maxwell Macmillan Canada</publisher>
    <publisher>Maxwell Macmillan International</publisher>
    <dateIssued>c1991</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>xxii, 309 p. ; 25 cm.</extent>
  </physicalDescription>
  <tableOfContents>pt. 1: The actor --
1. The actor's world --
2. The actor's goals --
3. The actor's techniques --
The outer techniques --
The human techniques. pt. 2: The human techniques --
4. The self --
5. Transference --
6. The physical senses --
7. The psychological senses --
8. Animation --
The body --
The mind --
Inner objects --
Listening talking --
9. Expectation. pt. 3: The exercises --
10. The exercises --
General purpose --
The six steps --
For the presentation --
11. The first exercise: physical destination --
12. The second exercise: the fourth side --
Communication --
Primary use of the fourth side --
Subliminal use of the fourth side --
13. The third exercise: changes of self --
14. The fourth exercise: moment to moment --
15. The fifth exercise: re-creating physical sensations --
16. The sixth exercise: bringing the outdoors on stage --
17. The seventh exercise: finding occupation while waiting --
18. The eight exercise: talking to yourself --
19. The ninth exercise: talking to the audience --
20. The tenth exercise: historical imagination --
Style --Historical imagination --
21. Combinations. pt. 4: The role --
22. The play --
23. Homework and rehearsal --
24. Scoring the role --
1. Who am "I"? --
2. What are "my" circumstances? --
3. What are "my" relationships"? --
4. What do "I" want? --
5. What's in "my" way? --
6. What do "I" do to get what "I" want?</tableOfContents>
  <note type="statement of responsibility">Uta Hagen.</note>
  <note>"A Robert Stewart book."</note>
  <note>Includes index.</note>
  <subject authority="lcsh">
    <topic>Acting</topic>
  </subject>
  <classification authority="lcc">PN2061 .H12</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Maxwell Macmillan Canada; Maxwell Macmillan International</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">0684190400 :</identifier>
  <identifier type="issn">9780684190402</identifier>
  <recordInfo/>
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